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The work was given its earliest performance on October 4, 1959, by the Leningrad Philharmonic with Yevgeny Mravinsky conducting and Mstislav Rostropovich as soloist. Copland described his fanfare as a work to bring honor to “the common man, who, after all, was doing all the dirty work in the war and in the army.” The importance of this stirring miniature cannot be overestimated, as Copland included a reworked version of the fanfare in the finale of his Third Symphony, which was composed to celebrate the end of World War II.Ĭello Concerto No. Probably the most striking element in this short work is the overwhelming feeling of nobility that Copland conjures not for an exalted leader or nation, but for ordinary citizens. Beginning with assertive and almost aggressive percussion, the work soon introduces the familiar upward reaching theme in the brass. Of the eighteen fanfares, only Copland’s has earned a lasting place in the repertoire. 26, 1943įanfare for the American Soldier, Felix Borowski, March 5, 1943įanfare for the Common Man, Aaron Copland, March 12, 1943įanfare for the Signal Corps, Howard Hanson, April 2, 1943įanfare for the Merchant Marine, Eugene Goossens, April 16, 1943įanfare for Commandos, Bernard Rogers, (not performed) 5, 1943įanfare for the Medical Corps, Anis Fuleihan, Feb. 29, 1943įanfare for Poland, Harl McDonald, Feb. 22, 1943įanfare for Airmen, Leo Sowerby, Jan. 15, 1943įanfare for Freedom, Morton Gould, Jan. 18, 1942įanfare for France, Virgil Thomson, Jan. 11, 1942įanfare for American Heroes, William Grant Still, Dec. 27, 1942įanfare de la Liberte, Darius Milhaud, Dec. 6, 1942įanfare for Paratroopers, Paul Creston, Nov. 30, 1942įanfare for Friends, Daniel Gregory Mason, Nov. 23, 1942įanfare to the Forces of our Latin-American Allies, Henry Cowell, Oct. 16, 1942įanfare for the Fighting French, Walter Piston, Oct.
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9, 1942įanfare for Russia, Deems Taylor, Oct. In the interest of completeness, each fanfare along with its premiere date is listed below:įanfare for Airmen, Bernard Wagenaar, Oct. Each fanfare would honor some aspect of the war effort, usually showcasing a branch of the military or an ally. World War II had just begun and Goossens wanted to do his part to arouse patriotic sentiment.
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In early 1942, Cincinnati Symphony Orchestra conductor Eugene Goossens invited 17 leading composers to submit fanfares to be performed at subscription concerts throughout the upcoming season. However, most listeners do not realize that this piece was commissioned by a British conductor. Nowhere is this more apparent than in his Fanfare for the Common Man –a work that is familiar to practically everyone. To many people, Copland’s style defines Americanism in music. He incorporated jazz-inspired rhythms and elements of popular songs to express his ideas and attract new listeners. Copland abandoned his earlier austere style for a new “simple” approach, which often quoted folk music and used an approachable musical language in an effort to remedy the problem. He knew there must be a way to draw people back into the concert hall, develop new audiences and energize orchestral music. In the late 1930s, Aaron Copland began to face the reality of shrinking audiences at orchestral concerts. It is scored for four horns, three trumpets, three trombones, tuba, timpani and percussion. This work was premiered on March 12, 1943, by the Cincinnati Symphony Orchestra conducted by Eugene Goossens. Died December 2, 1990, in North Tarrytown, New York. Inside the Music: Pre-concert talk with Gregory Vajdaīorn November 14, 1900, in Brooklyn, New York. In Remembrance: Fanfare for the Common Man Read on for our complete program notes for In Remembrance: Fanfare for the Common Man. We’re pleased and honored to have veterans, military and their families from the Hamilton community to join us for a musically reflective evening. Whether you’re joining us for the evening or not, these pieces played a major role for generations in remembering the sacrifice and valor of Canada’s military over the last hundred years. As we get ready for our Remembrance Day concert this year, we thought you might like to learn more about the background behind the commemorative and patriotic works featured in our program for In Remembrance: Fanfare for the Common Man.
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